blog

No expectations, no limitations, This is where craft and curiosity collide. I create my world of sound & sight.

Every week I drop ten tracks you probably haven’t heard of, show a glimpse of what I uncover as I document my life in CDMX, and highlight other artists I’m tuned in to.

The Chris mix

Before I began streaming my music, my only source of music was was my older brother’s CDs that mostly consisted of Christian progressive metal and the radio. Lately I have been tapping back into some great Y2K radio releases, which is why I start the mix with Promiscuous, I loved this since the first day I heard it. I almost thought to add the jersey club version, but I added the original instead for the nostalgia.

Now I also find stuff on social media and I get it, these viral video trends completely burn out genuinely great songs, but the algorithm works in mysterious ways; what may show up for me might not for you. I must admit Sexxy ! is the mashup I never know I needed, but once you get past the opening of Sexxy Red’s part, the song is actually an original song that samples her voice from Pound Town. Never in music history has a post-punk goth beat ever been paired with such sexually explicit lyrics. I honestly can’t tell whether I really got an ear for compelling niche music or I’m just really alternative.

Summer is technically not over so if you haven’t found your summer anthem, you’ve been missing out because every update of the Chris Mix always has a couple. My recent discovery goes to JayO and his latest single Attendance is definitely a summer anthem contender. Add the Chris Mix to your Spotify before Summer is over and won’t be able to party with great tunes with your friends.

Documenting Mexico CIty

I’ve been busy trying to make strides in my dual citizenship process and even picking up my first gig that I had to put the blog on pause. There is no real way to know for sure if there are people reading through my entire blog so not sue if anyone noticed my hiatus. If you been reading my blog posts comment a Mexican flag emoji 🇲🇽 in the comment section of the instagram post embedded at the end of the blog.

It’s been about 6 months now since living in CDMX and there has been a couple notable events that I have attended that I was not able to blog about so I want to take a look at the Women’s March that took place on March 8th. I had no expectations, it was the very first event I set my sights on to document It was incredible seeing thousands of people flooding the streets of an already busy city. It was a march, a protest, and an act of rebellion where clausterphobia reigned. Whatever the opposite of claustrophobia is, I have that; I have a strange attraction to large bodies of people. Something about a pool of radiating energy makes me feel more alive. Maybe it’s a way to even out just how much time I spend in solitude.

The second thing I immediately noticed was just how hot CDMX is. The seasons on this part of the globe seem to be starting much later than what the calendar advertises.

It started as a march from the Angel de la Independencia to the Zocalo Plaza. At the beginning of my documentation, it seemed like any typical march i’ve attended. I distinctly remember recording video into the crowd as I stood on a light pole to get a better shot and as a women walked by she greeted me with a smile and a handful of flowers; though I did not have any expectations of what was going to unfold that day, I certainly did not expect to receive flowers. Though by the time returned home, I was treated the complete opposite. It might of been the heat and tension that was built up until the arrival of most protesters at Zocalo Plaza.

I took many fotos from the roof of a bus stop that was on the main road, but once it connected with the streets that lead into Zocalo Plaza, there began more direct action of protest; There was vandalism that targeted banks, non-Mexican stores, and pictures all over identifying abusers. Once I reached Zocalo Plaza, sunset has passed and Palacio Nacional was surrounded with barriers to avoid vandalism. In different areas of the long line of barriers I saw bright orange flames from protests, objects being thrown over, and tear gas shot out into he crowd in defense. In one of the fires, women gathered around taking turns liberating themselves from their abuse (or spoke on behalf of someone close to them) from men who took advantage of them by speaking out and receiving physical embrace.

It was now dark and the attempt to break through the barriers intensified. I was getting closer to the barriers for a better shot and was approached by people dressed in black who asked me if there was someone in the crowd I was supporting. I told them I was in support of everyone there as an independent journalist, but she insisted that if I didn’t know anyone there I could not record. I tried to reason with her in this public space, and I thought that if I continued to keep my calm, I wouldn’t end up like a man I saw earlier who was also confronted; he spoke negatively about women and was spray painted purple and nearly beaten up as a result.

There were others in black who noticed us still going back and forth and came over to find out what was going on. One they found out, I put my camera away, but at that point I was seen as a threat to their cause. They began harassing me to leave and one of them made an attempt to take my camera. I was not intimidated, they seemed to be younger than me. I stood in place the entire time as they yelled at me, I remember one of them yelling at me (in Spanish obviously) “this movement is not for your viewing.” It was once one of them aimed a spray can bottle straight into my face and began spraying I decided it was not worth it and backed away. They continued until I was far away not to see the front line.

Though they didn’t have a right to stop me from doing my job, I am not mad of what they done. This day was not for me. On this day woman are entitled to feel however they want to feel. I felt an intense duality from a range of emotions women have.

I decided to head back home and as I found an empty seat on the metro, I felt pain in my eyes from the tear gas, soreness in my feet from miles of constant walking, and an uncomfortableness from the visual impairment; my right lens of my glasses were almost completely blocked with purple spray paint.

I love you CDMX, even if sometimes it doesn't seem like you love me back. I love every moment I’ve had here, and continue to do so in all of my adventures.

Artist in focus

CHZTER - Music Artist https://www.instagram.com/chzter/

Who is Chzter? Emerging from Mexico City but originating from Guerrero from a mother who does not agree with her lyrics, Chzter has brought an exclusive electronic sound to reggaeton’s subgenre neoperreo. Her branding is a mixed bag of multiple influences (visually and sonically) that cannot be replicated. Chzter’s early following is based in CDMX, but from what I know of it has also been reaching the US (I found out about Chzter while in Atlanta so I count myself).

On August 10th Chzter had a show in CDMX at a club that I built rapport with and it was a perfect way to experience what kind of energy she brings and how her fanbase responds. Before the show, I’ve learned about her fascination with prime Y2K Soulja Boy and most apparent with her wardrobe choices; polo shirt, fitted cap worn in every way but forward, stylized shades. Chzter has mentioned American trap rap is a big part of her influence though her use of auto-tune and trap beats, most notably in 2023 with songs like “Destino o Karma” but her musical approach shifted in 2024 when she began to steer away from sad boy/sad girl lyrics and into her form of feminist empowerment on the EP TUGATITOBB.

Chzter has always been clear with her sexual interests using her music, and lately it has developed to be more direct, provocative and dominant. Her branding has served her well because it has began exploding her fanbase into other states like Guadalajara and even the US (I was living in Atlanta at the time of discovering her so I count myself). American rap’s musical influence on Chzter began inevitably shifting to popular artists like Sexxy Red, Ice Spice, and Cardi B. It’s the appeal that these artists have on their fanbase by empowering themselves with their body and sexual interests that Chzter has taken notes on. It is obvious Chzter might not see eye to eye with them about how they perceive men, her public attraction to women is a major part of her brand and it has created a space for other women and LGBTQIA+ members to celebrate at her shows.

As I arrived at Chzter’s August 10th show, which she titled Lesbian Sunday, she walked around to greet the crowd with shots of tequila during her DJ opener’s set. She also took part in the VJing before her set by scrolling through her algothrym and displaying her niche memes, liking posts of women posing for camera on her feed, and even hand gestures in front of the camera that displayed everything. Once it came time for her to take the stage, she continued to interact with her crowd throughout her performance by pouring more shots, throwing 200 pesos into the crowd, and inviting fans onstage to perrear. This is why I will always personally choose to attend local, underground shows from emerging music artists; there is always a level of intimacy and accessibility with the artists performing that you can’t get at big shows.

Chzter has been officially releasing music for 3 years now, so she managed to perform almost all of her songs. Her music can be firmly classified as neoperreo and has sonically touched genres like jersey club, hood trap, and breakcore with her recent single “Matamemarciana.” My favorite song is “BUBALU” for its blend between jersey club and reggaeton on top of an atmospheric tone. I love how it opens up with the notorious 3D door knocking sound that has been used to troll people and incorporates a beat switch mid song to transition between genres that ultimately blend all the way through the song.

Chzter doesn't have a website so I’ve linked her instagram above. I highly suggest checking out her Soundcloud because she’s got a song with a hood trap beat that uses a sound bite of an iconic young voice announcing that she buys all kinds of heavy household items.